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It’s the story of Johnny, a troublesome-speaking, verbose younger man who careens his method through life, telling anyone who will listen his theories on life and the inequities of man. It’s a scathing, searing piece of work, and a great place to begin to understand how sensible Leigh’s films can be. No actress has ever performed herself higher than Maggie Cheung in Olivier Assayas’s ingenious and
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